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Quizzes with illustrations
Flashcards
Q: Abrasion
A: antemortem and/or postmortem injuries resulting from friction of the skin against a firm object resulting in the removal of the epidermis.
Q: Abscess
A: a localized accumulation of pus.
Q: Absorption
A: the process of taking in, as in a colored object which absorbs certain rays of light and reflects other rays giving the object its recognizable color.
Restorative Art III Glossary
2/22/2011
Q: triglyph
A: grooved member of Doric frieze alternating with metopes
Q: Polykleitos
A: developed classic canon of proportions
Q: Pericles
A: fifth-century Athenian statesman
Chapter 5- Gardner's Art Through the Ages
12/13/2010
Q: pinch
A: a hand building technique starting with a ball of clay; inserting you thumbs and pinching the clay to form thin even walls
Q: coil
A: a hand building technique using rolled out ropes of clay; stacked in layers
Q: slab
A: a hand bulding technigue made of thin sheets of clay
Ceramics and Sculpture
3/8/2011
Quizzes
Q: Chiaroscuro
A: When the angles of a shape appear to converge on a single point called the vanishing point.
Q: Fresco
A: Means "light-dark" in Italian. Refers to strong contrast between light and shadow used to mold the shapes in paintings. Especially in oil paintings. Portraits with light faces molded with strong shadows and dark backgrounds are good examples of this.
Q: Linear Perspective
A: Means "light-dark" in Italian. Refers to strong contrast between light and shadow used to mold the shapes in paintings. Especially in oil paintings. Portraits with light faces molded with strong shadows and dark backgrounds are good examples of this.
Painting Techniques
1/29/2011
Q: Michaelangelo
A: Watches
Q: Leonardo da Vinci
A: pointilism
Q: Botticelli
A: Sistine Chapel, Pieta, David, Italian
academic team trivia
3/1/2011
Q: Vitruvius and Pliny the Elder
A: The paint consisted of natural pigments some of which were common and cheap (chalk, soot, red ochre) and others expensive and hard to find (calcium silicate for blue and cinnabar for deep red).
Q: Stage One
A: Two or more coats of lime but this time mixed with a much finer material such as powdered marble. The final layer would be very smooth .
Q: Stage Two
A: The Roman writers who left us accounts of plastering and painting.
The process of making a pompeii wall painting (frescoes)
1/24/2011
Q: Gustave Courbert
A: Still Life with Chair-Caning, 1912.
Q: ÉDOUARD MANET
A: Still Life with Chair-Caning, 1912.
Q: ÉDOUARD MANET
A: An Andalusian Dog (Watched in lecture).
Painting and Artists-Art Appreciation Final Test
1/19/2011